Oscars: Arabs Did Not Win, But Lesbians Did

I watched the 2011 Oscars to see if Incendies or Outside the Law would win. Neither won. While watching I couldn't help but notice the fashion. Being a giving person, I thought I'd share a few observations. 

Best dressed of the evening goes to Mila Kunis. Lavender, lace, and swagger did the trick. It was almost lewd when she licked her lips for the 10th time and bent over while giving away the Oscar for the best supporting actress, but she managed to wurk it.

When Kunis was giving out the award, she snuck in that she hoped Natalie Portman would win best actress. Nice, right?

Natalie Portman did get the award for best actress, in her acceptance speech she thanked everyone in the world: "those who are invisible to the world but mean so much to the making of a movie." She thanked the people who did her hair and makeup, camera operator, 1st assistant, etc BUT she did not thank Mila Kunis, her costar. What happened?

Portman is now married to the choreographer from the film. So I wonder if maybe Kunis told the choreographer that Natalie enjoyed the lesbian scenes a little too much? Kunis would know. Check her out in this clip:

Gemini Reveals Shinya Tsukamoto’s Fantasy of the Known Self

Gemini / Soseiji (1999), by Japanese director Shinya Tsukamoto, is one of my favorite films of all time. On the one hand it is an intelligent and visually stunning period piece set during World War One. And on the other hand, it sparingly uses the conventions of the horror genre as a device to explore class and identity. 

Rin's amnesia sets in after washing

Catherine Breillat Awakens a Beautiful Sleeping Lesbian in The Sleeping Beauty

Catherine Breillat's most recent film The Sleeping Beauty / La Belle Endormie (2010) is the kind of lush exploration of the burgeoning sexuality of a young woman that audiences expect from her after her more than 30 years of delivering such works. This time, that sexuality is decidedly not heterosexual.

The Sleeping Beauty wakes and discovers that she is a lesbian.

Outside the Law: Year of the Arab Diaspora at the Oscars

If Francis Ford Coppola's The Godfather (1972) and Gilles Pontecorvo's The Battle of Algiers (1966) where to have a baby, and that baby was a film, that film would be Rachid Bouchareb's Outside the Law / Hors La Loi (2010).

The Godfather and The Battle of Algiers have a baby

Incendies: Lebanon is Scorched, Burned and Blistered

To say that the Middle East has been scorched, burned and blistered by war is an understatement. In Incendies–a ground breaking diaspora film, set in both present day Canada and in Lebanon in the recent past–we get to see in painful detail the intricacies of how the war burned many families into horrific mangled messes.

The idea of return is common among diaspora films of the last few decades. Usually the protagonist of the film returns to their family's place of origin and discovers the rubble and ruins that have been vacated by their parent's generation. Usually we do not see the atrocities that happened, but we are told that they are too terrible to talk about or to show. The protagonist walks around looking traumatized which, I have to admit, despite my devotion to these films, is part of the growing pains in the development of a genre.

Where Incendies distinguishes itself is in the crafting of a story that really is too terrible to tell and too terrible to witness. And then it makes us witness every terrible moment of it.

A cinematic moment. The image comes first and the explanation comes much much later.

True Grit: The Formidable Fortitude of Tweens

Every once in a while a role comes along for a young woman who is at that tough age, that age that makes her adult-like, but before she's realized the limiting effects of the male gaze. She is smart enough to know what is right and young enough to not know that the world doesn't work according to right and wrong. She speaks truth to power, and expects power to accede to what would be justice. She sees what is incongruous and expects that if she shows it to others, they will correct their ways. If they don't correct their ways, she is old enough, and in her own power enough to be able to resist their attempts to make her follow their ways. She is interested in freedom and is often called willful, clever, argumentative. It is a window that, for most women, opens as puberty hits and then shuts as puberty ends. For many women, the social relations of feudalism and capitalism make us bend and transform under patriarchal control.

Mattie Ross in True Grit, played by a 14 year old Hailee Steinfeld, looks unimpressed and determined

Tron Legacy: Arcades and the Zen of Nostalgia

If you are old enough to remember watching the original Tron when it came out in 1982, then you're old enough to remember playing upright video games at an arcade. You'd probably remember too that arcades were the hang out, the cool place to be, and also one of the few places to challenge your hand eye coordination. 

Original poster for Tron from 1982. They posed again like this in the sequel.